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Floral Print Carpet
- Of flora or floras
- Of flowers
- A floor or stair covering made from thick woven fabric, typically shaped to fit a particular room
- A thick or soft expanse or layer of something
- rug: floor covering consisting of a piece of thick heavy fabric (usually with nap or pile)
- A large rug, typically an oriental one
- form a carpet-like cover (over)
- The text appearing in a book, newspaper, or other printed publication, esp. with reference to its size, form, or style
- put into print; "The newspaper published the news of the royal couple's divorce"; "These news should not be printed"
- the text appearing in a book, newspaper, or other printed publication; "I want to see it in print"
- A newspaper or magazine
- The state of being available in published form
- a picture or design printed from an engraving
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supreme embrace lawrence azrak ali Qsar Dahoum wash the pavements clean 154-155
The Essential T. E. Lawrence, selected and with a preface by David Garnett.
We strained to listen. Through Ali's black basalt window-frame crept a rustling, which was the stirring of the night-wind in the withered palms an intermittent rustling, like English rain on still-crisp fallen leaves. The the cries came again and again and again, rising slowly in power, till they sobbed round the walls in deep waves to die away choked and miserable. At such times our men pounded the coffee harder while the Arabs broke into sudden song to occupy their ears against the misfortune. No Bedouin would lie outside in wait for the mystery, and from our windows we saw nothing but the motes of water [search notes rain bottles rain drops]in the dank air which drove through the radiance of our firelight. So it remained a legend... They're beginning to get up another din. A "security guard" cruised me saying in his head in a taunting tone full of contempt, "she had it all memorized'. from 156 Essentials seven pillars
Azrak is the castle of which Brian Gardner in Allenby in Arabia said, After blowing up a train farther down the line, Lawrence went into hiding in one of his beloved ruined Crusader castles with his friend Emir Ali." So I guess the author must have read this same letter and his friendship with Ali must ahve been a dear one
I'm not keeping to the thread. I want to trace the idea of the communion of two spirits, souls, minds, wills, faculties of experiece or awareness as proof of the underlying all-soul or the Holy Ghost, as Gordon often calls it, as the noumen, esential reality or voice of God underlying all experience but particularly, for this discussion with the East Side High School Gay Straight Alliance, the experience of sexual union.
I guess I have to kind of hurry with these passages from Lawrence, The Uncrowned King of Arabia by Michael Asher. [It's from the Hebrew root, asr, rich?]
The author is talking about how Lawrence "made friends" with Leonard Green a Student St. John's College 3 years his senior while he was a student at Oxford High School for Boys: "...they dreamed of printing fine books, and of living together in a windmill on a headland washed by the sea". I think these words, although they are not in quotes, must have been taken from the writing of Lawrence. "Green, an aspiring poet, belonged to a secret homosexual order called the Chaeronea and to a circle of poets, artists and novelists known later as the Uranians, whose inspiration was the 'innocence and sensuality of young boys.'" They're boring into my soul with thoughts of Debbie Mitchell. It distracts me to the point that I become a worse typist and can't keep even a word or two in my head long enough to get it typed. They taunt me with insulting vocalizations as I struggle.
Asher is talking about Lawrence's relationships with women and says they were always cordial and friendly but that his friendships with men were deeper. You have to remember to go back and find that adverb/adjective "deeply" and work it in. He mentions "psychical barriers" that would snap shut if he "detected any sexual advance" from a woman. He quotes sneeze throat clear male Lawrence but doesn't name the source, "I take no pleasure in women...I have never thought twice or even once of the shape of a woman, but men's bodies, in repose or in movement---specially the former, appeal to me directly and very generally." I wanted to have this to go with the material about visual sexual cues and how computers are being taught to read the brain waves stimulated by the visual experience of simple line drawings.
"It is generally agreed that 'SA' is most likely to have been Salim Ahmad, nicknamed 'Dahoum', a young Arab boy Lawrence grew attached to in Pre-war Syria." 76 He was a 14 year old "donkey boy". They are getting up another din. I male just got up and dropped two dimes on the carpet to my left and on my right is a shaved headed older than student age back pack person who when I glanced over at him blinked at me. I don't know if I have mentioned it, but its something they have done for year. It's like spitting at me when I look their way or mouthing various insults cough cough inaudible vocalization.
The most complete expression of Lawrence's romantic view of Arabia and the Arabs at this stage appears in his essay for Isis magazine, The [Qsar] of Ibn Wardani (actually ibn Wardan), written in 1912. That summer he and Dahoum had visited the Qsar or castle, which had been built by the Emperor Justinian in the sixth century. The building was said to have been constructed with floral scents kneaded into the clay, so that each room had a different smell. They keep boring into my soul with unreadable thoughts. they force me to concentrate hard to fix the errors they are causing and to move on, then they set up more distractions. The shaved headed male next t
FOREST CATHEDRAL CEILING
Stylized design for: Faux stained glass. Ceramic tile(s). Quilt. Carpet. Tablecloth. Table top. Fabric. Lighting fixture shade. Window shade. Wall or window treatment. Art print. Large picture puzzle. Ceiling painting. CD Cover, typography optional.
Note that this style has one level of interest up close with all the detail in the greenery. Then, as you back away, other levels of design and pattern assemble themselves.
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